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    • 森林里的艺术世界 - 李茜云
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​PIERROT LUNAIRE INTERNATIONAL COMPOSITION COMPETITION 2019

​The Pierrot Lunaire Ensemble Wien announce the PIERROT LUNAIRE INTERNATIONAL COMPOSITION COMPETITION 2019. Composers from all over the world - are invited to present works for the Pierrot Lunaire Ensemble Wien. Created on an initiative of the Pierrot Lunaire Ensemble Wien the Pierrot Lunaire International Composition Competition 2019 will launch its edition during the 2019-2020 seasons. This competition for chamber works will be open to composers of all nationalities, with no age restrictions. Its aim is to encourage and promote musical creation while developing lasting ties between the Pierrot Lunaire Ensemble Wien and the composers of today and, in this way, actively contribute to a renewal of the chamber repertoire. 
I. Prize for the winning Composition
1. Prize: Euro 10.000, - and minimum three performances by the Pierrot Lunaire Ensemble Wien during its 2019-2020 international concert tour season. Additionally, the Pierrot Lunaire Ensemble Wien could create a list of pieces which it suggests for performance along with the prize-winning pieces during the 2019-2020 international concert tour seasons. 
II. Conditions for entry:
* There are no age limit or nationality restrictions for composers. * Instruments: The compositions submitted for the competition must use ONLY the following instruments, either together or in sectors, involving a minimum of 2 performers to a maximum of 5 performers, with or without vocal participation: Flute (single performer including piccolo, G alto flute) Clarinet in B-flat (single performer including A-clarinet and B-flat bass clarinet) Violin (single performer) Cello (single performer) Piano (single performer) *Scores will not be accepted if they differ even marginally from the possibilities listed above. * The works duration must be between 10 and 15 minutes. 
* Deadline for entries:
The scores, the registration application and the enclosed documents must be sent March 30, 2019, to the following postal address or e-mail address: Postal Address Pierrot Lunaire Ensemble Wien c/o Gustav Balanesco Bindergasse 11/24 1090 Vienna Austria E-mail Address [email protected] * Scores (ONLY 1 Copy) containing the composer's name, address, date of birth, a short description of the work, an artistic and academic curriculum and copy of the Entry Fee transfer document and the signed a fully compiled application form. 
​* Each composer can submit more than one work to the Competition provided that separate registration is compiled for each entry (together with the relative registration fee) * Compositions entered will not be returned, and will we keep in the Pierrot Lunaire Ensemble Wien Archives. * Winners cannot be subsidized to attend the performance. * The compositions will be judged by the Pierrot Lunaire Ensemble Wien. * The jury’s decision is final and cannot be legally challenged. Furthermore, the jury reserves the right to award no prizes if, after the evaluation of all submitted works. * The entry fees are non-refundable. * The results of the PIERROT LUNAIRE INTERNATIONAL COMPOSITION COMPETITION 2018 will be published ONLY on the web site www.pierrotlunaire.at on 30th April 2019. 
III. Entry Fee: The composition must be submitted along with an entry fee of EURO 70, -. The amount should be transferred by bank (bank charges are the responsibility of a sender) to the following account: Pierrot Lunaire Ensemble Wien BANK AUSTRIA Internat. Bank Account Number (IBAN): AT16 1200 0516 4459 7101 SWIFT-BIC: BKAUATWW * A copy of the transfer document must be included with the score. * The entry fees are non-refundable. * Cheques and credit cards will not be accepted. 
IV. Pierrot Lunaire Ensemble Wien is not able to consider works that do not conform to the guidelines outlined above and cannot accept any responsibility for scores or any other materials lost, misdirected or damaged while in transit. 
V. Participation in the Competition implies the unconditional acceptance of this announcement, as well as consent for the use of the contestant’s personal data. Submissions, which do not meet the conditions or deadlines specified above, will not be considered. 
Postal Address for entries Pierrot Lunaire Ensemble Wien
Bindergasse 11/24 1090 Vienna, Austria
E-mail Address for entries
[email protected] 
pierrot_lunaire_competition_2019.pdf
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  • Home
  • About SMCC
    • Visions
    • SMCC Committee Members
    • Members
    • Membership Application
  • Opportunities
    • 2022 >
      • Borneo Ensemble Composer Series
      • Tunku Zain Piano Trio Composition Competition 2022
    • 2021 >
      • TNMAS 2021 Call for Scores
      • Malaysia Young Composers' Workshop 2021
      • New Music Room Call for Scores
      • Goethe Institut Digital Mentoring Programme
      • 10th Rivers Awards Composition Competition
    • 2019 >
      • 【衛武營當代音樂平台】國際作曲徵件與彼得.于特福許作曲大師班
      • ​Call for works - ACL New Zealand 2020
      • Call for works - Solo piano pieces by Malaysian composers ​
      • 1ST INTERNATIONAL EISENACH COMPOSITION PRIZE
      • The 10th China ConTempo Composition Competition
      • 第一届上海室内歌剧作品国际比赛章程
      • Passepartout Duo - Music Seminar and a Composition & Performance Workshop ​
      • PIERROT LUNAIRE INTERNATIONAL COMPOSITION COMPETITION 2019
      • 2019 年 第八届「百川奖」作曲比赛
      • 作曲专业 | 柏林音乐表演艺术学院 AfMB-恺撒堡 2019 冬季学校
      • Forum Wallis 2019
    • 2018 >
      • Call for score : ASEAN Youth Ensemble (AYE) 2018
      • 2018 Banaue International Music Composition Competition
      • Ding Yi - Composium 2018
      • Call for application: 2018 International Gugak Workshop
      • PYO CALL FOR SCORE 2018
      • ​Call for scores - 35th ACL Festival and Conference Taiwan 2018
      • Ars Electronica Forum Wallis 2018 CALL FOR STEREO OR QUADROPHONIC ACOUSMATIC WORKS
      • 寻找中国的声音——第六届刘天华奖中国民乐室内乐作品征集简章
      • 2018 Breaking music - International Composition Competition
      • Call for Composition - Breaking New Ground
    • 2016 >
      • ACL 2016
    • 2015 >
      • ACL Philippines 2015
    • 2014
    • 2013 >
      • 32nd Conference and Festival 2014, Japan: Call for Scores
      • ACL 2013 (Asian Composer League)
      • Ninth Thailand International Composers Competition 2013
      • 5th International Pharos Contemporary Music Festival and Ensemble TRANSMISSION
      • New Gamelan Music Festival: Call for Scores
      • Singapore Chinese Orchestra Composer Workshop 2013
      • Chamber•Sounds Regional Call For Chamber Opera Proposals 2013
      • Beijing International Composition Workshop 2013
  • Events
    • 2021 >
      • SoundBridge Virtual 2021
      • Hong-Da Chin Concert Presented by No Exit Ensemble
      • Ding Yi Music Company Composium 2021
    • 2019 >
      • Music improvisation workshop by Otomo Yoshihide
      • 琴弦两岸 - 马来西亚、新加坡小提琴与钢琴作品音乐会
      • Soundbridge 2019 >
        • Soundbridge 2019 - Flyer
      • Into the Sound
      • From NY To KL
      • Natural Spectra by Christoven
      • Cello Recital by Friedrich Gauwerky
      • 4th SoundBridge Contemporary Music Festival 2019
    • 2018 >
      • The 9th Malaysian Composers Concert Series 2018
      • European Journey
    • 2017 >
      • Piano Recital by Simon Nabatov
      • SoundBridge 2017 >
        • An Introduction to the festival
        • Support Messages
        • Gallery
        • 2017 SoundBridge Booklet
        • Soundbridge 2017 booklet for download
        • Post production review >
          • 五棰半 :音桥音乐节| 当代亚洲音乐的发光站
          • 邹向平 :​“音桥当代音乐节”见闻四则
          • Post production review by Teh Tian Yoon
    • 2015 >
      • SoundBridge 2015
    • 2013 >
      • KLC Malaysian Composers Concert Series 2013
      • Young Southeast Asian Composers Shone at Festival
      • ACME and Studio MusikFabrik (Chinese Version)
      • SoundBridge 音橋 2013 >
        • Festival Event Details >
          • Support Message
          • Concert 1 - SoundBridge
          • Concert 2 - Malaysian Voices III
          • Photography and Calligraphy Exhibition
          • Musicians and Artists
          • Malaysian Composers
          • Young Composers
          • Panelist
    • 2010 >
      • Composer Workshop Series I
  • Articles
    • SoundBridge 2021 - People's Music Magazine Feature
    • Sin Chew Daily Feature on SMCC & SoundBridge
    • Tracing Art Music Compositions and Composers in Malaysia
    • Malaysian Young Composers' Workshop 2021
    • 现代音乐永远的夏天 马来西亚第三届“音桥当代音乐节”之热效应 - 邹向
    • 森林里的艺术世界 - 李茜云
    • Interview with Peter Vaele - by Ruth Rodrigues
    • 新音乐中的新音乐 ——参观 2011 多瑙厄申根新音乐节 文/杨琳
    • 多元且專注─2011年第四屆上海當代音樂周總評-林芳宜
    • 亞洲音樂先鋒-亞洲作曲家聯盟暨2011亞太音樂節-林芳宜
    • SKETCHES: THE MANILA COMPOSERS LAB 2009 - BY HUEYCHING CHONG
    • JONAS BAES ON PATANGIS-BUWAYA [2003]
    • Koji Nakano New Approach to
    • Composers+ Summer Academy 2017 By Dr. HueyChing Chong
    • The Barcelona Modern International Composition Course 4th Edition 2017/18 ​By Dr. HueyChing Chong, Oct 2019
    • Atlas Lab 2016 By Dr. HueyChing Chong, Oct 2019
    • BUILDING BRIDGES: Concert 5 (SoundBridge IV), presented as part of the 4th SoundBridge Contemporary Music Festival By Jon Lin Chua
  • Contact Us