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Call for Composition

"Breaking New Ground"

Call for Composition - Breaking New Ground


Composers have the opportunity to submit previously unpublished scores on this year’s theme of "Breaking new ground". Two pieces selected by a jury will be premiered at the Gala concert on April 26th and will be presented optionally at another concert on April 27th. The composition prize is endowed with a total of 1,700 Euros. The two first-placed works are endowed as follows:
1st Prize: 1000 Euros
2nd Prize: 700 Euros
The jury reserves the right to propose optionally a third work without payment of prize money for the premiere.

Deadline for submission: 13th January 2019
Announcement of the results: 18th February 2019

Breaking new ground
The festival 2019 centers on “Breaking new ground”. Whether it involves an adventure or a new stage in one’s life or whether it is a matter of social changes, the spirit of optimism is one of anticipation, enthusiasm and confidence, but also of doubts and nervousness which must be overcome. It is precisely within this emotional area of tension that the attraction and enchantment of breaking new ground lies. Creative minds are invited to explore this topic and submit their works. 


Criteria for submission:
-Instrumentation:

  • Mixed choir (SATB) (mandatory)
  • String quintet (optional)
  • Piano (optional)
  • Vocal solos (optional)

-Genre: Choir music (classical), Gospel, World music
-Length: max. 3–5 minutes
-Language: German or English
-Level of difficulty: medium
-

Only unpublished, non-premiered and not printed compositions to date
-

The submitted composition must be an original work. Arrangements and transcriptions are excluded from participation.
The following is required:
-



Fully edited performance material (score and parts) as a PDF file. The vocal parts have to be made available as a piano score. The entire composition may contain absolutely no clues as to the identity of the composer.
-

If the score was written with a notation program, we also ask you to submit the audio file in MP3 format.
-

A short description of the work (min. 400, max. 4000 characters incl. spaces)
-


A short biography; in case of teams, a short description of the team including complete mention of names of all involved, (min. 400, max. 4000 characters incl. spaces)All scores will be submitted anonymously to the jury for evaluation.  
The composers of selected works will be personally informed and the decision will be announced on www.mimf.at. 
The decision of the jury is final. 
In addition, she or he is invited to the Gala concert as a guest of the festival and will be presented to the audience. Accommodation and meals in Murau are also included at the invitation of the festival organizers.
A submission is no grounds for a legal claim. 

Please submit contributions online only using the online form provided via www.mimf.at.  Any further questions can be addressed to Marko Zeiler by email at: [email protected]. 

Kindly note that further information and any possible changes as well as details about the festival program are posted on a regular basis on www.mimf.at. 

We are looking forward to your submissions!
​

For more informations , please visit : www.mimf.at/index.php/en/composition/call-for-compositions
Submission
mimf2019_call_for_compositions.pdf
File Size: 433 kb
File Type: pdf
Download File

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  • Home
  • About SMCC
    • Visions
    • SMCC Committee Members
    • Members
    • Membership Application
  • Opportunities
    • 2022 >
      • Borneo Ensemble Composer Series
      • Tunku Zain Piano Trio Composition Competition 2022
    • 2021 >
      • TNMAS 2021 Call for Scores
      • Malaysia Young Composers' Workshop 2021
      • New Music Room Call for Scores
      • Goethe Institut Digital Mentoring Programme
      • 10th Rivers Awards Composition Competition
    • 2019 >
      • 【衛武營當代音樂平台】國際作曲徵件與彼得.于特福許作曲大師班
      • ​Call for works - ACL New Zealand 2020
      • Call for works - Solo piano pieces by Malaysian composers ​
      • 1ST INTERNATIONAL EISENACH COMPOSITION PRIZE
      • The 10th China ConTempo Composition Competition
      • 第一届上海室内歌剧作品国际比赛章程
      • Passepartout Duo - Music Seminar and a Composition & Performance Workshop ​
      • PIERROT LUNAIRE INTERNATIONAL COMPOSITION COMPETITION 2019
      • 2019 年 第八届「百川奖」作曲比赛
      • 作曲专业 | 柏林音乐表演艺术学院 AfMB-恺撒堡 2019 冬季学校
      • Forum Wallis 2019
    • 2018 >
      • Call for score : ASEAN Youth Ensemble (AYE) 2018
      • 2018 Banaue International Music Composition Competition
      • Ding Yi - Composium 2018
      • Call for application: 2018 International Gugak Workshop
      • PYO CALL FOR SCORE 2018
      • ​Call for scores - 35th ACL Festival and Conference Taiwan 2018
      • Ars Electronica Forum Wallis 2018 CALL FOR STEREO OR QUADROPHONIC ACOUSMATIC WORKS
      • 寻找中国的声音——第六届刘天华奖中国民乐室内乐作品征集简章
      • 2018 Breaking music - International Composition Competition
      • Call for Composition - Breaking New Ground
    • 2016 >
      • ACL 2016
    • 2015 >
      • ACL Philippines 2015
    • 2014
    • 2013 >
      • 32nd Conference and Festival 2014, Japan: Call for Scores
      • ACL 2013 (Asian Composer League)
      • Ninth Thailand International Composers Competition 2013
      • 5th International Pharos Contemporary Music Festival and Ensemble TRANSMISSION
      • New Gamelan Music Festival: Call for Scores
      • Singapore Chinese Orchestra Composer Workshop 2013
      • Chamber•Sounds Regional Call For Chamber Opera Proposals 2013
      • Beijing International Composition Workshop 2013
  • Events
    • 2021 >
      • SoundBridge Virtual 2021
      • Hong-Da Chin Concert Presented by No Exit Ensemble
      • Ding Yi Music Company Composium 2021
    • 2019 >
      • Music improvisation workshop by Otomo Yoshihide
      • 琴弦两岸 - 马来西亚、新加坡小提琴与钢琴作品音乐会
      • Soundbridge 2019 >
        • Soundbridge 2019 - Flyer
      • Into the Sound
      • From NY To KL
      • Natural Spectra by Christoven
      • Cello Recital by Friedrich Gauwerky
      • 4th SoundBridge Contemporary Music Festival 2019
    • 2018 >
      • The 9th Malaysian Composers Concert Series 2018
      • European Journey
    • 2017 >
      • Piano Recital by Simon Nabatov
      • SoundBridge 2017 >
        • An Introduction to the festival
        • Support Messages
        • Gallery
        • 2017 SoundBridge Booklet
        • Soundbridge 2017 booklet for download
        • Post production review >
          • 五棰半 :音桥音乐节| 当代亚洲音乐的发光站
          • 邹向平 :​“音桥当代音乐节”见闻四则
          • Post production review by Teh Tian Yoon
    • 2015 >
      • SoundBridge 2015
    • 2013 >
      • KLC Malaysian Composers Concert Series 2013
      • Young Southeast Asian Composers Shone at Festival
      • ACME and Studio MusikFabrik (Chinese Version)
      • SoundBridge 音橋 2013 >
        • Festival Event Details >
          • Support Message
          • Concert 1 - SoundBridge
          • Concert 2 - Malaysian Voices III
          • Photography and Calligraphy Exhibition
          • Musicians and Artists
          • Malaysian Composers
          • Young Composers
          • Panelist
    • 2010 >
      • Composer Workshop Series I
  • Articles
    • SoundBridge 2021 - People's Music Magazine Feature
    • Sin Chew Daily Feature on SMCC & SoundBridge
    • Tracing Art Music Compositions and Composers in Malaysia
    • Malaysian Young Composers' Workshop 2021
    • 现代音乐永远的夏天 马来西亚第三届“音桥当代音乐节”之热效应 - 邹向
    • 森林里的艺术世界 - 李茜云
    • Interview with Peter Vaele - by Ruth Rodrigues
    • 新音乐中的新音乐 ——参观 2011 多瑙厄申根新音乐节 文/杨琳
    • 多元且專注─2011年第四屆上海當代音樂周總評-林芳宜
    • 亞洲音樂先鋒-亞洲作曲家聯盟暨2011亞太音樂節-林芳宜
    • SKETCHES: THE MANILA COMPOSERS LAB 2009 - BY HUEYCHING CHONG
    • JONAS BAES ON PATANGIS-BUWAYA [2003]
    • Koji Nakano New Approach to
    • Composers+ Summer Academy 2017 By Dr. HueyChing Chong
    • The Barcelona Modern International Composition Course 4th Edition 2017/18 ​By Dr. HueyChing Chong, Oct 2019
    • Atlas Lab 2016 By Dr. HueyChing Chong, Oct 2019
    • BUILDING BRIDGES: Concert 5 (SoundBridge IV), presented as part of the 4th SoundBridge Contemporary Music Festival By Jon Lin Chua
  • Contact Us