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Call for works - Asian Composers League Festival 2020
Christchurch, New Zealand
​April 28 – May 2, 2020 

We are pleased to announce the official Call for Works for the Asian Composers League Festival 2020. Member organisations are invited to submit scores/projects for the festival, taking place in Christchurch from April 28 – May 2, 2020.
Member and Associate Member organizations should email their submissions to acl@iscm2020.nz no later than August 31, 2019. Late submissions will not be considered. Submissions will only be accepted from ACL Members and Associate Members. Individual submissions will not be considered.
PLEASE NOTE: A separate call for the ACL Young Composers Competition will be issued in early September.
The 2020 ACL Festival will overlap with the International Society for Contemporary Music (ISCM) World New Music Days, which begins in Auckland on 21 April 2020. Composers wishing to attend the ACL Festival are encouraged to also attend the ISCM World New Music Days.

GENERAL INFORMATION
Priority will be given to works shorter than 12 minutes in duration, and to works written since 2012. Only one work per composer may be submitted.
The composer may offer to supply traditional instrumentalists/vocalists as additional elements in works submitted for categories 4, 5 and 8, however any such supplementation must be at the composer’s own cost. In such case, the name and contact details of the performer must be supplied at the time of submission, and their availability for performance in the festival already agreed.
By submitting works to this Call, composers are agreeing that if their work is selected for performance/presentation then they grant automatic permission for the ACL performance/presentation of their work to be recorded, broadcast, and streamed from the website without additional financial liability to the ACL or the Festival Organizers. 
INFORMATION REQUIRED for each Work to be submitted is:
1.     The composer’s personal and contact information: Given names; Family name; Name as it should appear in the programme; Date of birth; full Mailing address; Gender; Phone no.; email address; website (if applicable).
2.     Work information: Title; Submission Category; Accurate duration; Year of composition; Statement of whether the work has been previously performed.
3.     The score (.pdf document preferred), or audio/video documentation if the work does not have a written score - as described in the Work Categories.
4.     An audio or video recording of the work (if available).
5.     Programme notes for the submitted work in English (maximum 100 words).
6.     Technical rider specifying all equipment necessary to perform the work.
7.     Short biography of the composer in English (maximum 100 words).
8.     High-resolution digital photograph of the composer.

WORK CATEGORIES 
1. Solos 
Solo works for piano, violin or viola (1 performer), or percussion (1 performer) - glockenspiel, vibraphone, pr bongos, suspended cymbal, large tam-tam, kick drum, concert bass drum, triangle, woodblock, cowbell and auxiliary percussion or found objects that would fit on a trap table.  
2. Duos 
Works for violin or viola (1 performer) and percussion (1 performer) - glockenspiel, vibraphone, pr bongos, suspended cymbal, large tam-tam, kick drum, concert bass drum, triangle, woodblock, cowbell and auxiliary percussion or found objects that would fit on a trap table. 
Works for violin or viola (1 performer) and piano. 
3. Taonga Puoro 
Taonga puoro soloist, with/without flute/piccolo soloist (information sheet available). 
4. Piano Trio 
Violin, cello, piano. 
5. String Quartet 
2 Violins, viola, cello. 
6. Chamber Ensemble 
Works for 3–10 players, instruments drawn from the following list: flute, clarinet, saxophone, trumpet, trombone, percussion (1 performer), piano, violin, cello, double bass. 
7. Orchestra
3 fl (II=picc, III=picc,afl). 3ob (III=corA). 3cl (III=bcl). 3 bn (III=cbn). - 4hn. 3 tpt. 2tbn. 1 btbn. 1 tuba - 3 perc. 1 timp. 1 hp 1 pno - strings (10/8/6/6/5). 
8. Electroacoustic
Electroacoustic music for fixed media or live electronics, with up to 16 channels, in a surround-sound arrangement of two 8-speaker rings.  
9. Audiovisual and Installation Works
For gallery/exhibition presentation (i.e. non-concert presentation). Some installations may be positioned in an outdoor environment. Preference will be given to works that bear some relationship to the theme of Music Ecosystems.
Please submit an artist CV in English (up to 2 pages), .pdf description of the work (500 word max), a list of equipment and installation materials, and online support material (2 examples of work). Short-listed applicants will be contacted for additional materials.

ARTISTIC TEAM
 Glenda Keam (Festival Director, and President of the ISCM)
Samuel Holloway (Associate Director – Artistic)
Chris Gendall (CANZ President, and ExCom member of the ACL)
CONTACT
acl@iscm2020.nz 





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  • Home
  • About SMCC
    • Visions
    • SMCC Committee Members
    • Members
    • Membership Application
  • Opportunities
    • 2022 >
      • Borneo Ensemble Composer Series
      • Tunku Zain Piano Trio Composition Competition 2022
    • 2021 >
      • TNMAS 2021 Call for Scores
      • Malaysia Young Composers' Workshop 2021
      • New Music Room Call for Scores
      • Goethe Institut Digital Mentoring Programme
      • 10th Rivers Awards Composition Competition
    • 2019 >
      • 【衛武營當代音樂平台】國際作曲徵件與彼得.于特福許作曲大師班
      • ​Call for works - ACL New Zealand 2020
      • Call for works - Solo piano pieces by Malaysian composers ​
      • 1ST INTERNATIONAL EISENACH COMPOSITION PRIZE
      • The 10th China ConTempo Composition Competition
      • 第一届上海室内歌剧作品国际比赛章程
      • Passepartout Duo - Music Seminar and a Composition & Performance Workshop ​
      • PIERROT LUNAIRE INTERNATIONAL COMPOSITION COMPETITION 2019
      • 2019 年 第八届「百川奖」作曲比赛
      • 作曲专业 | 柏林音乐表演艺术学院 AfMB-恺撒堡 2019 冬季学校
      • Forum Wallis 2019
    • 2018 >
      • Call for score : ASEAN Youth Ensemble (AYE) 2018
      • 2018 Banaue International Music Composition Competition
      • Ding Yi - Composium 2018
      • Call for application: 2018 International Gugak Workshop
      • PYO CALL FOR SCORE 2018
      • ​Call for scores - 35th ACL Festival and Conference Taiwan 2018
      • Ars Electronica Forum Wallis 2018 CALL FOR STEREO OR QUADROPHONIC ACOUSMATIC WORKS
      • 寻找中国的声音——第六届刘天华奖中国民乐室内乐作品征集简章
      • 2018 Breaking music - International Composition Competition
      • Call for Composition - Breaking New Ground
    • 2016 >
      • ACL 2016
    • 2015 >
      • ACL Philippines 2015
    • 2014
    • 2013 >
      • 32nd Conference and Festival 2014, Japan: Call for Scores
      • ACL 2013 (Asian Composer League)
      • Ninth Thailand International Composers Competition 2013
      • 5th International Pharos Contemporary Music Festival and Ensemble TRANSMISSION
      • New Gamelan Music Festival: Call for Scores
      • Singapore Chinese Orchestra Composer Workshop 2013
      • Chamber•Sounds Regional Call For Chamber Opera Proposals 2013
      • Beijing International Composition Workshop 2013
  • Events
    • 2021 >
      • SoundBridge Virtual 2021
      • Hong-Da Chin Concert Presented by No Exit Ensemble
      • Ding Yi Music Company Composium 2021
    • 2019 >
      • Music improvisation workshop by Otomo Yoshihide
      • 琴弦两岸 - 马来西亚、新加坡小提琴与钢琴作品音乐会
      • Soundbridge 2019 >
        • Soundbridge 2019 - Flyer
      • Into the Sound
      • From NY To KL
      • Natural Spectra by Christoven
      • Cello Recital by Friedrich Gauwerky
      • 4th SoundBridge Contemporary Music Festival 2019
    • 2018 >
      • The 9th Malaysian Composers Concert Series 2018
      • European Journey
    • 2017 >
      • Piano Recital by Simon Nabatov
      • SoundBridge 2017 >
        • An Introduction to the festival
        • Support Messages
        • Gallery
        • 2017 SoundBridge Booklet
        • Soundbridge 2017 booklet for download
        • Post production review >
          • 五棰半 :音桥音乐节| 当代亚洲音乐的发光站
          • 邹向平 :​“音桥当代音乐节”见闻四则
          • Post production review by Teh Tian Yoon
    • 2015 >
      • SoundBridge 2015
    • 2013 >
      • KLC Malaysian Composers Concert Series 2013
      • Young Southeast Asian Composers Shone at Festival
      • ACME and Studio MusikFabrik (Chinese Version)
      • SoundBridge 音橋 2013 >
        • Festival Event Details >
          • Support Message
          • Concert 1 - SoundBridge
          • Concert 2 - Malaysian Voices III
          • Photography and Calligraphy Exhibition
          • Musicians and Artists
          • Malaysian Composers
          • Young Composers
          • Panelist
    • 2010 >
      • Composer Workshop Series I
  • Articles
    • SoundBridge 2021 - People's Music Magazine Feature
    • Sin Chew Daily Feature on SMCC & SoundBridge
    • Tracing Art Music Compositions and Composers in Malaysia
    • Malaysian Young Composers' Workshop 2021
    • 现代音乐永远的夏天 马来西亚第三届“音桥当代音乐节”之热效应 - 邹向
    • 森林里的艺术世界 - 李茜云
    • Interview with Peter Vaele - by Ruth Rodrigues
    • 新音乐中的新音乐 ——参观 2011 多瑙厄申根新音乐节 文/杨琳
    • 多元且專注─2011年第四屆上海當代音樂周總評-林芳宜
    • 亞洲音樂先鋒-亞洲作曲家聯盟暨2011亞太音樂節-林芳宜
    • SKETCHES: THE MANILA COMPOSERS LAB 2009 - BY HUEYCHING CHONG
    • JONAS BAES ON PATANGIS-BUWAYA [2003]
    • Koji Nakano New Approach to
    • Composers+ Summer Academy 2017 By Dr. HueyChing Chong
    • The Barcelona Modern International Composition Course 4th Edition 2017/18 ​By Dr. HueyChing Chong, Oct 2019
    • Atlas Lab 2016 By Dr. HueyChing Chong, Oct 2019
    • BUILDING BRIDGES: Concert 5 (SoundBridge IV), presented as part of the 4th SoundBridge Contemporary Music Festival By Jon Lin Chua
  • Contact Us